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Finding the basics of photoshop is just like 1, 2, 3

By: David Peters

Click on the Brustic to open the Brush Preset picker, and scroll down to see the default set of brushes. Towards the foot of the list of default brushes you'll find a variety of unusually-shaped brush tips, including brushes shaped like stars and blobs. Click on the picker's menu icon to access other, specialised sets of brushes. You can use the picker's menu to display a thumbnail of the brush stroke, or set it to show the brush tip and name. The numerical value indicates the brush's initial diameter in pixels. You can customise this to suit your requirements. When you select a new set of brushes, you can either replace the existing default set or append the new set to it so you can use both.

Making custom brushes is one of the easiest things in the world. Seriously! I don't know why I've read some tutorials that make it out to be this multi-step, intimidating process. Creating your own brushes helps to customize both your artwork and the Photoshop work environment. The Hard Part: "But ... you said this would be easy!!" Technically, yes, but I've found that some people actually reach a little stumbling block when trying to think of what would make a good brush. Well, the short answer is ANYTHING! I've made brushes out of fuzzy leopard slippers, bananas, old trash cans, fabric swatches, dirt ... hundreds of things. It helps to have a scanner and/or a digital camera ... that really opens up your possibilities. Just a quick walk around your house might yield dozens of fun textures you can make brushes out of. But, even if you don't have either of those, you can often snurch some good textures off the internet. Try a google search for marble tile and see what comes up. Sometimes you'll get a nice big image to work with. I'm not condoning stealing someone's art photos to rip a brush off with, but if it's just a sample photo of tile, or fabric, or screen, or whatever, I think it's perfectly fine ... you'll be drastically changing the image in the next steps anyway.

The basics of Photoshop are relatively easy to pick up, but can seem a bit of a mystery when you first come to the program, thanks to its somewhat unintuitive interface and lack of simple tutorials. Photoshop is basically made up of four areas: the menu bar, at the top, the toolbar just below it, the toolbox on the left and the palettes on the right. The menu bar and toolbox always stay the same, as they contain the different modes and options that you can choose, but the toolbar changes depending on context. The palettes are there to show the current status of your image, including the history of all the actions you have used and a thumbnail overview of how the 'big picture' currently looks.

The problem with many of these applications is that they use pre designed templates which the user pieces together to form logos that really are not that original and sometimes appear a little generic. While these applications allow the user to quickly begin creating graphic designs and logos they often simply do not produce designs that are original and in demand by web design clients. If you take the time to learn adobe Photoshop there will be no limit to the logos and graphic designs you can put together. Although the interface can seem a little overwhelming at first, learning Photoshop is not difficult if you have the right tools and take the time to practice.

Adobe's Photoshop is the number one choice digital photo editing software application among today's professional photographers, graphic artists and web designers. It is not only the best but easier to work with than you might think. Many shy away from Photoshop because there are intimidated by the complexity. With the help of a good Photoshop tutorial you can begin to learn Photoshop within minutes and be on your way to restoring those old photographs and preserving your family's memories for year to come. There are less expensive digital editing applications but the problem is that they often have very limited capabilities when it comes to doing high quality digital photo restoration. Those cheaper digital photo software packages often utilize a one size fits all approach to photo restoration and they just don't have the functions to deal with all of the types of damage you may encounter in renewing your old photos.

For consumers with old family photos to restore and enhance, there is now a new easy-to-use internet offering that provides an absolutely no-obligation service. Using only e-mail or the good old postal service to deliver photos to Caledonian Digital, even the most inexperienced computer users have nothing to fear.Glasgow, Scotland (PRWEB) August 18, 2006 - UK based Caledonian Digital launches a no-obligation Photo Restoration and Digital Enhancement service that even consumers with only basic computer and internet experience can use. With no requirement to create an account, log in, upload files or download software, Caledonian Digital's new online photo restoration service is easy to use. Using only e-mail or the postal service, even the most novice computer and internet user can feel confident using this service.Customers either send their photographs by post, which are then scanned on-site and returned, or they send scans of their photos or images from digital cameras by e-mail.Requests for service will be completed within 72 hours of receipt of photos or images, and all purchased orders include 1 free 6x4 print, with free shipping worldwide.

News photographers routinely process images using Adobe Photoshop software. But there has been a basic premise in the world of photojournalism that what was allowed in making prints in the pre-digital days of darkrooms is all that is acceptable today. Back in the days of the darkroom, we used very basic tools to develop prints. In black and white printing, the contrast of a picture was controlled by a paper's grade. The higher the number of the paper, the higher the contrast. In the wire agency darkooms I've worked in, we typically used grades 3,4 and 5. We allowed "dodge and burn" to lighten or darken areas. A dodge tool was made by taping a small piece of cardboard the size of a quarter onto a paper clip. A burn tool was a piece of cardboard the size of an 810 sheet of paper with a hole in the center.

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